Calicornication: Postcards of Giant Produce (1909) — The Public Domain Review

In the series of exaggeration postcards collected below, it is California that takes center stage. Produced by the prolific San Francisco–based publisher Edward H. Mitchell, each card features a single…

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Fear and Fragility: The Glass Delusion and Its History — The Public Domain Review

Three centuries later, Foucault argued that Descartes hadn’t just excluded the glass man from his rationality — he had employed him. “The man who imagines he is made of glass…

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Doing Impressions: Monet’s Early Caricatures (ca. late 1850s)

Moneymaking caricatures by a teenage Monet, before he turned to Impressionism. Source link

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“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)

One of the most elaborate works of literary insult ever written. Source link

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Elizabeth I’s Manuscript Copy of Pierre Boaistuau’s *Histoires Prodigieuses* (1559) — The Public Domain Review

Beelzebub has, Boaistuau claims, been incarnated on earth in two places. First he ruled over the Temple of Apollo in Delphi, where he pretended to give oracles in exchange for…

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The Great Majority: Body Snatching and Burial Reform in 19th-Century Britain — The Public Domain Review

From the surviving testimony of resurrection men, it is clear that pauper burial grounds, without guards or mortuaries, were favoured hunting grounds. Pauper grave-pits were often left open until the…

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Songs from the Commons: A Q&A with Simon Close about the Public Song Project — The Public Domain Review

I can imagine someone walking away thinking about all kinds of things — what did I learn about history from digging through this older art? What does it mean to…

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Broken Ground: *The Fall of the House of Usher* (1928) — The Public Domain Review

It was the midwinter of 1926, in Rochester, New York, when James Sibley Watson, Jr. and his friend Melville Webber first started filming their adaptation of Edgar Allan Poe’s 1839…

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Introducing PDR Press Minis — The Public Domain Review

Fifteen years ago, The Public Domain Review began its life as an online journal, a creature of the internet — and proudly so. This relatively new medium, with its capacity…

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“A Beautiful Purplish Hue”: Frank Dudley Beane’s Experience with Ergot and Cannabis Indica (1884) — The Public Domain Review

At 10:15, having administered 0.46 ml and 1.39 ml, respectively, of the cannabis and ergot tinctures, his come up begins: he notes the experience of “momentary dizziness” and “peculiar lightness”,…

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