Snail Homes, Bog Bodies, and Mechanical Flies: Robert Testard’s Illustrations for Les secretz de l’histoire naturelle (ca. 1485)

A wondrous illuminated manuscript, which gathers and illustrates the marvels of the world and beyond. Source link

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Pigeons Transmogrified: Hannah Glasse’s *Art of Cookery* (1751 edition) — The Public Domain Review

For a modern-day reader, the language remains rich and succulent: she prescribes Eel Soop for those that “have a Stew-hole”; dishes are given names like “pigeons transmogrified”; the cookbook genre’s…

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Unbridled Passions: The Eight Horses of King Mu, Son of Heaven (ca. 1300) — The Public Domain Review

Particularly famous for his skill at depicting horses, Zhao believed that he had the ability to capture animals’ inner essence with his brush. The practice of evaluating steeds like this…

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The Blinkered Flâneur: Walking with Franz Hessel in 1920s Berlin — The Public Domain Review

It’s curious, for a book purportedly about walking, how much Hessel enjoys whizzing around the city in fast cars and on public transport. During the book’s centrepiece, a longer section…

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Wayang Kulit: Raden Soelardi’s Illustrations of Javanese Puppets (1919)

Illustrations of Javanese wayang kulit puppets with vivid colour and gilding. Source link

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Charlotte Perkins Gilman’s *Herland* (1915) — The Public Domain Review

Perhaps most surprising, however, especially given Gilman’s own romantic entanglements with women, is that before the men arrive, Herland is entirely sexless. There is no hint of lesbianism here: the…

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Calicornication: Postcards of Giant Produce (1909) — The Public Domain Review

In the series of exaggeration postcards collected below, it is California that takes center stage. Produced by the prolific San Francisco–based publisher Edward H. Mitchell, each card features a single…

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Fear and Fragility: The Glass Delusion and Its History — The Public Domain Review

Three centuries later, Foucault argued that Descartes hadn’t just excluded the glass man from his rationality — he had employed him. “The man who imagines he is made of glass…

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Doing Impressions: Monet’s Early Caricatures (ca. late 1850s)

Moneymaking caricatures by a teenage Monet, before he turned to Impressionism. Source link

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“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)

One of the most elaborate works of literary insult ever written. Source link

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