Paint a Faux Inlay Pattern: Step-by-Step Guide

I know the usual “wait for it… here it comes…” suspense is fun, but I had to start with the after photo—so here it is up front.

This was a super affordable, surprisingly simple thrift-store table makeover. Seriously, don’t tell me you can’t do it. You absolutely can.

It began with a $25 Moroccan-style table I brought home nearly two years ago. Even after a good cleaning, the top still showed wear: cracks, water stains, and some loose wood pieces. We loved the warm wood tone and the geometric pattern on the top, so instead of rushing to fix it, we used it as-is for a while and covered the worst spots with decor.

Over time the table declined further—mostly thanks to our little one discovering she could pull out some of the small wood shapes like a puzzle. Pieces loosened and a few even went missing, which made the table look even more tired.

We flirted with the idea of painting it to hide the damage, especially after seeing charming painted examples of Moroccan tables. But because the wood tone was so nice, our plan was to try refinishing first: sand, fill the cracks, and re-stain. We used the same type of wood putty that worked well on our dark-stained kitchen cabinets and hoped a little extra stain would even things out.

After filling and sanding, we applied two coats of Minwax Red Mahogany stain—this is the same color we’ve used on other pieces in the house. Unfortunately, the puttied areas didn’t accept the stain the way the surrounding wood did. They remained lighter and more visible than we hoped.

When a project stalls, I usually step away for a bit. While running errands, a stain touch-up marker came to mind. We had one in a dark color for small furniture fixes, so I tried it on the putty. It was a small miracle: scribbling on the puttied areas and wiping gently with a paper towel darkened them enough to blend much better with the surrounding finish.

The putty was still faintly visible if you looked closely, but the marker closed the gap enough that I could move on to a different idea: instead of painting most of the table, why not add an inlay-inspired detail in a few areas? That would draw the eye away from the patched spots while keeping much of the wood surface visible.

To create the detail, I chose a combination approach: freehand the connecting vines and use a simple cardboard stencil for star-shaped motifs commonly seen on Moroccan furniture. I printed a few star templates, cut out my favorite size on cardstock, traced the shape onto cardboard, and used that as a stencil for the table top.

I used an oil-based paint pen for the decorative work because it gives more control than a brush and resists bleed-through on stained surfaces. I worked with windows open and wore a respirator for comfort and safety. With the stencil, I traced and filled the star shapes, then drew freehand wavy lines to connect them and added small leaf-like details on alternately placed sides to turn those lines into vines.

The first coats looked sketchy, so I tidied them up with additional passes of the paint pen until the shapes read solid and intentional. In hindsight, slightly smaller star cutouts would have been ideal—tracing tends to enlarge a shape a little—but the proportions still felt balanced once everything was filled in.

I repeated the motif on each of the table’s six sides by laying the table on its side and adding a star near the top, middle, and bottom of each leg, connecting them with the same vine pattern. The added white contrast of the painted design distracts from the repaired areas, making the puttied spots much harder to notice.

Once the stars and vines were complete, I planned one more touch-up coat for the stars and a final sealing with a low-VOC clear finish to protect the work. Overall the refinishing took a few hours, and the inlay-inspired stencil and freehand detail took a couple more. It wasn’t as quick as painting the whole table one color, but it was enjoyable, felt true to the table’s original aesthetic, and let the wood grain remain visible.

Real mother-of-pearl inlay tables can cost well over a thousand dollars, so for a fraction of the price—around $25 in materials if you need to buy putty, stain, a stain pen, and a paint pen—this thrift-store find looks like a thoughtful, one-of-a-kind piece. It’s a bold look and not everyone’s cup of tea, but it’s not a permanent commitment. If we tire of it, we can sand and re-stain or paint the table solid later on.

Right now it fits nicely in the nursery alongside other wood elements in the room, but we’ll see if it stays there long-term. If you’ve been putting off a furniture project, this is a reminder that simple fixes plus a little creative detailing can transform a beat-up gem into something special.

Have you ever used a stain pen on wood putty or a paint pen for freehand furniture details? When a project stalls for you, do you walk away and come back later, look for inspiration online, or try a small experimental fix like a touch-up marker? The little solutions often lead to unexpectedly good results.